Building upon long-term collaborations, this paper aims to explicate a going beyond agenda by illuminating the entanglements of policies and practices with a focus on discourses related to participation, communication and being human in a democratic society in the 21st century. It builds upon work that we have jointly led, first in the Swedish Arts Council project DoT (Delaktighet och Teater/Participation and Theater) between 2012-2015, and since then in the Think-Tank DoIT (Delaktighet och Inkluderings Tankesmedja/Participation and Inclusion Think-Tank). Bringing together knowledge regimes from the sectors of research and higher education on the one hand and the performing arts on the other hand, this collaborative work has raised important insights related to discourses regarding equity and participation inSwedish democratic spaces where an education-for-all and a culture-for-all are important policy goals.
Building upon tools developed at the intersections of the two sectors that we represent, project DoT built concretely upon meetings (between people and between sectors) as a fundamental strategy for change in societal arenas. It aimed to contribute towards a more equal and democratic society in the 21st century. Through collaboration and exchange, research and documentation, DoT engaged the performing arts, the infrastructure of cultural politics, and researchers. Its intention was to generate multidimensional stories that revealed and potentially (re)created understandings regarding the complexity of human existence. Going beyond the long-standing binary of medical-linguistic models related to deaf children and adults, DoT focused on making visible the deaf-hearing collaborative nature of the Deaf-Hearing World (Bagga-Gupta 2017, 2020). It asked what enables leaving the binary mainstream and moving towards re-positioning all people in a third, multidimensional space that constitutes contemporary society (Weckström & Bagga-Gupta 2020). For the performing arts, such a query meant shifting from dichotomizing discourses and spaces that attempt to include marginalized groups (for instance deaf people) in the majority culture, towards multidimensional perspectives that open up for new cultural expressions, potentially accessible for all.
Drawing upon ethnographic data from two sub-projects in DoT and the annual cultural-policies of Örebro County, Sweden between 2012-2020, this paper describes a third position related to participation and communication by focusing on people’s ways of being in and across policies and practices. It problematizes the audiology-framed identity positions of being hearing or deaf and hard of hearing (DHH) with the intention of unpacking the socialization processes that position people as being “normal” and “disabled”; such a stance also highlights societal norms regarding rights and privileges for accessing interpreters in order to communicate. The primary data includes recordings of what in contemporary parlance is understood as “in the wild” and that Lincoln and Guba called “Naturalistic Inquiry” (1985). Thus, “natural” in situ data, including digital sites and written documents, are focused upon. The study aligns itself with SWaSP (Second Wave of Southern Perspectives) tenets that emerge at the intersections of decolonial or Southern epistemologies, ontologies and methodologies on the one hand, and presuppositions related to sociocultural integrational perspectives on communication on the other hand. It focuses on the social dimensions of collaborations that play out in people’s lives and the nature of what is and can be meant by the label’s language and identity. The study thus illuminates what is called language and identity by engaging in empirical explorations that illustrate them in terms of what they are, where they reside, when and why they emerge in and across the contexts of policy and praxis.
A third position requires an explicit acknowledgment that humans live in dynamic, complex contexts where all individuals are potential members across settings. It challenges the performing arts on the one hand and research on the other hand, where invisible, taken for granted norms and praxis shape routine ways of working, (dis)enabling a shift towards alternative ways of understandings. Thus, for instance, a third position calls attention to issues of authenticity and the need for leaving behind unidimensional “categorization panic” in the performing arts when institutions are called upon to handle working with identity representations of being lesbian, black, wheelchair users or being deaf. A third position also illuminates the importance of and the ways in which interpretation services in relation to Swedish–STS (Swedish Sign Language) shape institutional discourses related to rights and responsibilities on the one hand, and hearing and DHH individuals’ experiences and participation on the other hand.
The findings presented in the paper point to tensions in the discourses of a one-society-for-all that facilitate or obstruct DHH individuals’ participation and their possibilities to be citizens on an equal footing with hearing people in relation to access, rights and responsibilities. In line with results from parallel projects where other societal sectors are focused upon, the findings highlight that the discourses in policy position DHH individuals as being handicapped in the context of performing arts. Unequal power relationships position them in passive roles, as handicapped, albeit with major responsibilities and curtailed opportunities to shape their own access and participation including rights and responsibilities.
The findings trouble mainstream Global North discourses in terms of webs of understandings that reproduce norms and bounded nomenclature, thus enabling the exploration of alternative possibilities that emerge in a third position with regards to language and identity. A third position does not adjust deviance to mainstream binary norms with regards to inclusion-exclusion, but pushes norms beyond what is considered as deviance, in language as well as everyday life, policy action plans and what is possible to measure and tabulate. Accepting diversity as a normal part of societal arenas poses challenges to current solutions for fulfilling the Swedish vision of a society for all, where all citizens across the country are seen as having equal opportunities for participating in a rich and diverse cultural life.
References
Bagga-Gupta, S. (2019). Identity Positioning and Languaging in Deaf-Hearing Worlds: Some insights from studies of segregated and mainstream educational settings. In Leigh, Irene & O’Brien, Catherine (Eds.). Deaf Identities. Exploring new frontiers. (162-192). Oxford: Oxford University Press. DOI:10.1093/oso/9780190887599.003.0008
Bagga-Gupta, S. (2017) Signed Languages in Bilingual Education. In: S. May (General Ed), Encyclopedia of Language and Education. O. García and A. M.Y. Lin (eds) Volume 5: Bilingual and Multilingual Education. (131-145). Rotterdam: Springer. https://link.springer.com/referenceworkentry/10.1007/978-3-319-02258-1_12
Lincoln, Y. & Guba, E. (1985). Naturalistic Inquiry. Newbury Park: Sage.
Weckström, P. & Bagga-Gupta, S. (2020). On going beyond dichotomies towards 3rd positions. Some theoretical and pragmatic implications with regards to culture-for-all and a society-for-all. In Bagga-Gupta, S. & Weckström, P. (Eds.) On 3rd positions in democratic contexts. An education-for-all, culture-for-all and a society-for-all. Research Report (in English and Swedish), Jönköping University, School of Education and Communication. Nr 11. ISBN-nr: 978-91-88339-22-5. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-48145