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De l'actrice fictionnelle à l'acteur réel: La femme de théâtre dans la Suède du XIXème siècle
Jönköping University, School of Education and Communication, HLK, School Based Research, Media, Literature and Language Didactics.ORCID iD: 0000-0001-8634-715X
2013 (French)In: Scandinavian Canadian Studies / Études Scandinaves au Canada, ISSN 0823-1796, Vol. 21, 40-56 p.Article in journal (Refereed) Published
Abstract [en]

In 19th century Sweden it is possible to observe how literary themes about women reflect social reforms for women. This connection serves to justify that the female as a performer on the stage of Swedish society can be studied and understood in the light of the literature from the same period. Thus, the aim of this article is to describe the evolution of the status of women through the fictional theme of the female actress, as depicted by three authors in this comparative study: Carl Jonas Love Almqvist (1793-1866), August Strindberg (1849-1912) and Anne Charlotte Leffler (1849-1892). Their texts The Queen’s Tiara (1834), Miss Julie (1888) and Skådespelerskan [The Actress] (1873) show that they all were engaged in the debate about the status of women. Their different perspectives offer material to analyse how the female actress as a character was used to express women’s striving to perform as well on the public as on the private scene.

Place, publisher, year, edition, pages
2013. Vol. 21, 40-56 p.
Keyword [fr]
Strindberg, Almqvist, Leffler, la femme, l'actrice, figure littéraire
National Category
Languages and Literature
Identifiers
URN: urn:nbn:se:hj:diva-20626OAI: oai:DiVA.org:hj-20626DiVA: diva2:606096
Available from: 2013-02-18 Created: 2013-02-18 Last updated: 2016-01-14Bibliographically approved

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CiteExportLink to record
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Citation style
  • apa
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  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
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  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
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