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Culture and identity: Popular culture as characterizing device in Håkan Nesser’s sister novels Kim Novak badade aldrig i Genesarets sjö (1998) and Och Piccadilly Circus ligger inte i Kumla (2002)
Högskolan i Jönköping, Högskolan för lärande och kommunikation, HLK, Lärandepraktiker i och utanför skolan (LPS), Communication, Culture & Diversity @ JU (CCD@JU).ORCID-id: 0000-0002-8031-5146
2016 (engelsk)Konferansepaper, Oral presentation with published abstract (Fagfellevurdert)
Abstract [en]

Nesser’s most popular crime novel Kim Novak and its pendant Piccadilly, set in the 1960’s in Midsweden, share time, location, and the adolescence’s search for identity. In that quest the merging popular culture plays an important role. (Grossberg 1997) Nesser catches the characteristics of the time; Erik, 14 years, reads and writes comics; Mauritz, 17 years, listens to the latest pop music and constantly adds to his album collection. He also writes poetry and reads classics while listening to his rock music. The preferences of music, film and literature as well as the media practices by the protagonists convey authenticity to the setting but also serve as a narrative device to characterize the protagonists. The paper illustrates how the references to popular culture are used to depict the complexity and the dynamics of the main characters’ development.

sted, utgiver, år, opplag, sider
2016.
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URN: urn:nbn:se:hj:diva-29947OAI: oai:DiVA.org:hj-29947DiVA, id: diva2:929295
Konferanse
106th Annual Meeting of the Society for the Advancement of Scandinavian Study, April 28-30, 2016, New Orleans, LA, USA
Tilgjengelig fra: 2016-05-18 Laget: 2016-05-18 Sist oppdatert: 2020-01-29bibliografisk kontrollert

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Almgren White, Anette

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